The color scheme is kept within a limited color quantity, reinterpreting the classic red-green christmas colors. As you can see there is no 100% white in the images. That's how you can achieve a more vintage style (as well as not to use 100% black or rich black). The red gives enough freshness, poping and contrast. Little note: exporting the images into png files diminishes the intensity of the reds - in the source file it's even brighter. And of course, no use of structures makes it obvious to be digital art. I was really tempted to age it even more by adding rubber scratches and brushes in Illustrator, but decided to stay true to my style. It already had enough details with all the yellow thread making its way through the whole design.
As promissed, I'll keep it short this time. I'm already working on the next posts. I still haven't posted about my trip to London and me walking the Brand Licensing Europe show (that's going to be a lengthy one). And MATS! We already entered week 4 and I haven't written a word about it, haven't shown one single image. Well, let's get down to work! In a few months none of it will be newsworthy anymore.
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